A bank is a place where they lend you an umbrella in fair weather and ask for it back when it begins to rain.
- Robert Frost


Have a piggy bank to suggest? Send us an email!

Ideas Archive

Friday, October 31, 2008

Dream Anatomy



Even though the exhibit is long gone, the gallery for Dream Anatomy is still online. Check out the drawings, prints and sculptures designed to aid professionals and the public in their study of human anatomy. If only it were an exhibit on pumpkin anatomy (like the ones below by Ray Villafane), it would be a perfect Halloween post. Happy trick or treating!



Dream Anatomy via Lines and Colors

Labels: ,

Thursday, October 30, 2008

Sub-Studio in Daily Candy



Thanks to Daily Candy Everywhere for featuring our Animal Christmas Cards today! All proceeds from the sale of these cards go to the Shama Foundation.

Also - huge thanks to Design Files for the very kind write up about our blog!

Labels:

Xe Bang Fai River Cave



An expedition in 2008 recently mapped the Xe Bang Fai River cave in central Laos. Likened to "an underground K2" by explorer John Pollack, the enormity and scale of the cave dwarfs most others on Earth (so far). I look forward to hopefully seeing the photos in my NG when it arrives.

We cover a lot of architecture on our site. But looking at the photos of the cave, I am reminded of how the hands of man cannot create a built environment as grand and awe-inspiring as this. Something that started as an underground trickle, over countless years, became a humbling reminder of the power and patience of the natural world.

photographs by Dave Bunnell

Labels: ,

Wednesday, October 29, 2008

Gregory Gilbert-Lodge



Above are two great prints by Gregory Gilbert-Lodge. I love how the low contrast of the deep black and grey tones draw you into the image instead of how high contrast colors jump off the page towards you. The strong imagery of the colonel and canine do that job already.

GGL found via Kinki Mag #7 on Issuu, which is a great place to self-publish books and magazines. Gather up some friends and start your own magazine!

Labels: ,

Tuesday, October 28, 2008

Field Notebooks



Thanks to John for pointing out these Field Notes books, designed by Draplin Design Company of Portland, OR. Other well-designed products include calendars, pens and pencils, all looking like they are from a retro shipping warehouse or perhaps the island from LOST.


If you actually want to take some notes in the field, the old Rite-in-the-Rain company makes some nice kits for all sorts of scientific, military and hunting uses. Below is the Field Book Kit and the Upland Bird Journal Kit. Both include cordura covers and all-weather pens for serious work.

Labels: , ,

Monday, October 27, 2008

Kingdom Hybrids by Pooroni Rhee



BBRK sent us a tip to check out the portfolio of Pooroni Rhee. Inside we found Kingdom Hybrid, a great print set/mini calendar of flora-fauna mash-ups.

Labels: ,

Friday, October 24, 2008

Motorola Aura



Motorola unveiled a gorgeous new phone this week - the ridiculously expensive, but very lovely Aura. The phone body is made up of stainless steel with a etched, textured pattern and the screen is 1.62-carat sapphire crystal. It is apparently made up of lots of other fancy parts, too, which you can read all about in Cnet's review. I mainly just love the sexy skin and the unique display. The Aura features a 2-megapixel camera, an mp3 player, stereo Bluetooth, quad-band GSM support, Moto's CrystalTalk feature, messaging, e-mail, a speakerphone, and an open-source browser all for $1,999. Um, yeah.

Labels: ,

Memory Games



Up To You is a Toronto-based shop with lots of great products. I love the memory games that they carry - the Everyday Object Memory Game, and the Blossom Memory Game. If anyone knows who designed these, please let me know, as the website doesn't give credit to the designer.

Labels: ,

Thursday, October 23, 2008

Frank Lloyd Wright Home and Studio



The Frank Lloyd Wright home and studio tour at Oak Park was the bonus event on our trip to Chicago. VW gave their presentation in the drafting studio and we got to do a little architectural immersion design/draft activity. Being architects ourselves, the class was like going way way back to the first year of architecture school. I hadn't seen an eraser shield in years!



The tour itself was interesting because the house had been restored to its original state (though FLW's renovations as his family/business expanded remained). One interesting feature to the studio was that there was no obvious entrance - the visitor is forced to walk around the exterior before finally discovering a door - along the way, FLW's desire is that you notice the exterior architectural detailing, making it clear to the client what type of design they can expect from the architect.

It was also nice to see FLW's use of material (lots of wood and dark colors - very anti the modernism of these days) and the many pieces of furniture he designed. The kids' playroom on the 2nd floor was my favorite. Unfortunately, the FLW Preservation Trust does not allow guests to take pictures inside, so we only have exteriors to post. Overall, the tour was great, and it was a pleasure to see how FLW designed everything down to the brooms.

Labels:

Abandonalia



Check out Abandonalia's flickr and blog for some incredible photographs of abandoned sites. Textures and colors abound in these old institutions, reversing the previous sterility and order. I wish I could read more spanish to understand the descriptions of the places.

Labels:

Wednesday, October 22, 2008

Tessa Farmer



Tessa Farmer creates amazing miniature sculptures out of insects and plant roots. The scenes are both natural (in the wars that occur in nature all of the time) and unnatural (in her new insect creations and the situations she constructs). They have such amazing detail - I'd love to see one in person. Tessa's artist's statement:
Tessa Farmer describes her work as "a tool to realise imaginative possibilities that might otherwise linger unseen, just beneath the surface". The tiny fairies and hell's angels she creates from plant and tree roots owe their scale to the insect wings which sprout from their backs. Although Farmer declares that they are growing smaller still! Farmer presents herself the conjurer of, rather than the maker, of these 'creatures' examining their behavior and evolution. "A bid to reignite childlike curiosity has witnessed the emergence of a species of miniature skeletal creatures resembling the human form". The new works will continue to investigate this fictional world where the behaviour of these fairies becomes increasing sinister as they mutate, mimic and torture the insects around them. Most recently she has observed their use of bird and animal bones to create flying vessels that facilitate their reign of terror. These creatures acknowledge the nastier side of childhood imagination, the antithesis of the Victorian notions of fantasy they seem to emulate.
Via Design You Trust.

Labels:

Antrepo



Mehmet Gozetlik of Antrepo sent over Time Tuner - an alarm clock/mp3 player. I like how the settings for the alarm clock are styled like the tuner of an analog radio.

Labels:

Lakai - Lucas Puig Pro Model



Lakai put up a funny little commercial for Lucas Puig's upcoming pro model shoe. It takes the Ronaldihno commercial to a new level with some flip tricks thrown in for some extra flare.

Labels: ,

Tuesday, October 21, 2008

Moto - Homaro Cantu's Process



A few interesting asides I came across while researching Moto - Chef Cantu is developing edible advertising! An excerpt from a Cnet interview:
Cnet: So edible ads will be a printed substance you can eat, like a wafer?
Cantu: Yeah. You open up a magazine, there's a small plastic thing in there, and you rip it open. It looks like a cheeseburger, tastes like a cheeseburger, it's made from all organic ingredients. In some cases it doesn't contain the ingredients that we would associate with that picture. But the key thing you've got to remember with edible ads is it's got to be an allergen-free substrate. If it's not, then you go do a peanut ad, and there's real peanuts in there, then somebody's going to die.
And, a little bit more about Chef Cantu's techniques, via I, Science.
A laser normally used in surgery or welding has been exploited by Cantu to create "insideout" food. Steaks are seared in the centre but become less well-done towards the edges. Laser-cooked bread rolls can be served alongside the edible menu, with crusts in the middle and soft dough outside.

The epicurean experimenter has been playing with ice as well as fire, creating several dishes that involve freezing by liquid nitrogen. One of Moto's desserts is created by filling a sphere with fruit juice and spinning it while applying liquid nitrogen to form a thin, frozen shell. Cantu is hoping that one day he will be able to inject helium into this shell and float it like a balloon in front of diners.

In case the helium trick doesn't work, Cantu's got a backup plan for levitating food, using superconductors and handheld ion particle guns. So far, he's managed to levitate salt and sugar but he eventually wants to make entire dishes fly around the restaurant.

Labels:

Moto - Homaro Cantu


Above photo credit: Musings of a Fat Chick

Dinner at Chef Homaro Cantu's Moto was an interesting experience, to say the least. On our first night in Chicago, our VW group made its way to the Fulton River District, an area of Chicago that resembles NYC's meatpacking district - though the Fulton River District still seems as though it's used mainly for that purpose. Inside Moto, the decor was white with a few color accents, a background for the more striking appearance of the food to come.



Our meal began with chips and salsa - an edible menu being the chip. The menu was created with a standard inkjet printer, using edible paper and food-based inks, and read 20 items long...intimidating, to say the least!



The evening started quietly with some interesting tastes. Liquid center scallop and kalamata and feta were first. Followed by the liquefied greek salad - a shot of cucumber and tomato flavors distilled to a clear liquid, which was actually quite tasty. A nitro sushi roll and oil spill was next. The oil spill was a commentary on the state of ocean pollution, including an edible packing peanut, exxon edible paper and squid ink masquerading as crude oil. Biscuit creme brulee and ants on a log with foie gras passed without much interest. The next three were the start of the more diverse experiments. Seared buffalo hot wing flavored edible paper with the lime and mint syringe mojito complimented each other nicely.



Cuban missle crisis was the most interesting presentation of the night. A cuban sandwich in the form of a half-smoked cigar served on an ashtray. Fresh from the garden was a quail dish that was a nicely done conventional dish as was the smoked brisket and cornbread.



Following those was the roadkill of fowl which included pulled duck and ornaments of a mushroom brain and some blood colored dressing and marshmallow. The fajita and aromatic utensils were an interpretation of the form of the fajita. Peppers and onions were cooked into a small bouillon-like cube that was to be smeared with the beef. The coriander within the spiraling handle of the fork is tasted with the nose instead of the tongue.



The desserts lent themselves to a playful "under the sea" presentation as well as a reversal of conventions because there is less expectation of what desserts should look and taste like. Deserts of note were the jellyfish shaped coconut and ginger milk ball, and the delicious white coconut and peanut dessert (complete with pop rocks!).

My biggest criticism of the meal is that there was no way to see how the food was constructed. Having seen Chef Cantu on Iron Chef, I loved the different processes his team used to create the dishes. At Moto, the food is stripped of its larger narrative, leaving only the end product without relieving one's curiosity about how it's created. Would I go back? Maybe in a few years. Molecular gastronomy is a fascinating field and I support everything they are doing. But when it comes down to a good meal, our dinner at MK was more what I expected and I enjoyed my phenomenal bison steak and beer there, without a second thought. In the end, however, Moto was a great experience and it's something that I'm glad we were able to experience.

Photos of the meal at MOTO on our flickr

Labels:

Aroha Silhouettes



Tania Hennessy, aka Aroha Silhouettes, introduced us to her debut collection of jewelry - called Phantasmal, it's made up of twelve design illusions that become 3-D silhouettes when worn. Each necklace is laser cut from reclaimed 12" vinyl records, making each piece one-of-a-kind due to the unique nature of the vinyl records. I'm a big fan of the stack of books!

Labels: ,

Zaha Hadid's Chanel Pavilion



The New York Times wrote up Zaha Hadid's Chanel Pavilion in Central Park yesterday, criticizing the excess and self-importance of such an undertaking in light of the current economy. The pavilion was conceived of as a mobile gallery to house artwork inspired by Chanel's quilted chain-strap 2.55 handbag. Chanel paid $400,000 to the Central Park Conservancy, and donated an undisclosed sum to the organization, so while the timing might not be great for an exhibit revolving around a luxury brand, I can't complain about anything that brings art to the masses (tickets are free, but are given out at 8AM each morning) and interesting architecture to New York (of which there's too little!). Whether or not the art is any good I have yet to see for myself, though critics are panning it. If you're in New York, go and see for yourself! The pavilion is located at Rumsey Playfield, near Fifth Avenue and 69th Street and will be up until November 9th, after which it will be traveling to London.

What are your thoughts?

Photos by Michael Falco for The New York Times.

Labels: ,

Wohlfahrt-Laymann Residence by Meixner Schluter Wendt



The Wohlfahrt-Laymann Residence by Meixner Schlüter Wendt is so brilliantly executed I almost cannot believe it. The original cottage within is the site for a series of excavations and interventions that link it to the new exterior skin, preserving it in its new altered form and program. The interior court for the front facade twists the ownership of the exterior and claims the yard for the double house. I love that the cottage was also painted white to clear it of its past and renew it as near-artificial artifact of its previous self.

Labels:

Monday, October 20, 2008

Banksy's Village Petstore and Charcoal Grill


NOTCOT: Banksy's Village Petstore & Charcoal Grill from Jean Aw on Vimeo.

Jean/Notcot
commissioned Seth Brau to make a video of Banksy's Village Petstore and Charcoal Grill. Check it out to get a great view of the store/installation, for those of you who can't visit yourself!

Labels: ,

Volkswagen CC Press Drive



Volkswagen recently introduced the CC - their new entry luxury car, set to compete with BMW, Mercedes, Acura, Lexus, Saab, etc.

The Volkswagen CC:
We picked up our cars outside the Hotel Sax's front door and had a little time to review the exterior and interior styling before heading out on the first leg of our drive. The exterior strikes a distinct contrast from pretty much any VW I have seen before. The low stance and elongated form separate it from the older, boxier, rotund shapes of the Beetle and Passat. The car looks smooth and refined as opposed to muscle-y or flamboyant. Design moves we liked included the frameless doors, wraparound rear light arrays, the mini-spoiler, the spoke-like narrow rims, and the long, sweeping shadowline across the side panels.




The interior details pick up on the thoughtfulness of the engineers and designers. Before getting into the car, the windows automatically retract about a 1/4" to clear the seals in order to allow the frameless doors to open. Once inside, the bucket seats are firm and adjustable in every imaginable way. Contrast stitching on our model was a nice touch as well. The wheel, transmission and dash integrate nicely. I was not a huge fan of the directional chrome panels - a more monochromatic experience would distract less. The key is a fob to be inserted in the ignition, a press starts the engine. The touch-screen navigation and media player were pretty easy to use. The nav had a bit of a learning curve, but worked well once figured out. The sunroof above is huge. It extends from the windshield to behind the front seats.




Being first to arrive downstairs, we had our pick of the litter. I didn't know that there were different models for the drive so we just picked one randomly. It was the 2.0T. Looking back, I would have chosen the 3.6L for the bigger engine, but the 2.0T was still fun to drive. I drove the first leg out and Anna drove the second leg back. My thoughts on the car were pretty positive. The suspension and seals were great so the ride was quiet and smooth. It was easy to speed because the sensation of speed was not very apparent when driving. It looked like everyone else had the same idea, because we all moved quickly on the highway. The dash is easy to read while driving, and the next turn/street name from the nav system into the HUD between the speedometer and tachometer was a helpful detail. The steering is power-assisted, making it light and responsive. I am not a big fan of the power-assist steering, believing it to be too far removed from experiencing the handling of the car. I drove most of my leg with the Tiptronic shifter, which is fun as a videogame-ish type of driving. I wish the throw of the Tiptronic were longer, like the older Passats, which made that shifting feel a little heavier. The interface of the car was pretty intuitive. I was not searching for any information or dials while driving, adding to the safety of the car.



All in all, I really liked the VW CC. The 2.0T gets ~30mpg on the highway, placing it at the higher end of fuel efficient cars. As a design object, the thought and detail given to its form and interaction with the body is impressive. As a machine, it is a lot of fun to drive, as you would expect from a luxury car of its class. It is fast and comfortable with refined styling and appointments. The CC strikes a balance between luxury and performance. Now if only it came with orange or green leather interiors...

Our photos on flickr
Official VW photos

Labels:

Volkswagen CC Chicago Trip



We're back in New York after a great trip to Chicago. Volkswagen brought us out to Chi-town to review the new 2009 CC (review to come later today). We also had a few free afternoons to wander around Chicago at our leisure - if it weren't for the crappy winters, I would move there in a heartbeat! It's a great city - the downtown is really beautiful and well-planned. We stayed at the Hotel Sax, right next to Bertrand Goldberg's gorgeous Marina City towers.

We'll be writing throughout the week about the side trips we took - a private tour of Frank Lloyd Wright's Home and Studio in Oak Park and dinner at Moto, known for molecular-gastronomy.

Labels:

Friday, October 17, 2008

Herzog and de Meuron Parisian Pyramid



Herzog and de Meuron (no website!) have unveiled renderings of their new 50-story glass pyramid in Paris, scheduled for completion in 2012. The building will house offices, a conference center, a hotel and some restaurants. The tower is designed to be powered by solar and wind energy. I can't really tell from the renderings, but I think it's interesting that the building is so wide in one direction, yet seemingly thin in its depth - more an extruded triangle than a pyramid, if that's the case.

Via Eikongraphia.

Labels:

Thursday, October 16, 2008

Kate Szabone



Kate Szabone makes some gorgeous jewelry. I especially like the pieces using rough diamonds.

Via For Me For You.

Labels:

Wednesday, October 15, 2008

Swims



I love the idea behind Swims - super cute protection for your heels for all those rainy days! It doesn't look like from their website that the heel versions are available for purchase yet - hopefully soon (they are selling protection for your flats, however)! My favorite detail is the map on the sole - NYC, Paris and Tokyo...

Via Notcot.

Labels: ,

Chris Crites



Sean and I are actually on our way to the airport for a rather exciting and last minute trip to Chicago - we'll tell you all about it on Monday! And thanks to Blogger's auto-publishing capability, I've post-dated a few posts for you while we're gone. So - more on the trip later. For now - Chris Crites! Chris paints on paper bags rather than on the traditional white piece of paper and has drawn an extensive collection of mug shots (though he also has other work). The artist's statement:
Years ago I saw a book of black and white crime photographs from the past. I found it amazing. The characters and crime scenes looked like surreal glimpses into the history of human interaction. Much more intriguing for me were the mug shots. Portraits of people who had just been caught. Despair, frustration, anger – so many expressions could be read on the faces. Each one of these images has a story. Often times I have no idea what the real story is, but it's hard not to make one up. One of the reasons I paint them is to bring out another possible story, for people to look at and think about. The majority of the images I base my paintings on are from the 1890's through 1950's.

Originally I began using charcoal and white conté crayon on paper bag. The way the wrinkles, folds and texture added to the piece really appealed to me. In 1999 I painted my first 4 mug shots in acrylic on paper bag with a limited palette of 5 colors each. Paper bag has been my main substrate ever since. Brightly colored acrylics have a different effect on the brown bag than on a typical white backing.

I try to bring new life to these practically discarded portraits of criminal and human history. Using an everyday, disposable item as the surface gives new life to the bag as well. It is my hope to get people thinking about the past, their present, and how we all affect both.

Via The Strange Attractor.

Labels: ,

Tuesday, October 14, 2008

The Oxford Project



In 1984 Peter Feldstein photographed 670 of the 676 residents of Oxford, Iowa. Twenty-one years later, he returned to re-photograph the 670 original participants, bringing Stephen G. Bloom to interview each person. Though some people had died and some had moved away, Peter was able to photograph and interview large number of the original participants. The result is a beautiful portrait of a small American town. From the artist's website:
Some chose to talk about religion. Others spoke about relationships gone bad. More than a few talked about spouses' infidelities. Several broke down in tears. A few waxed about first girlfriends and boyfriends.

Some of their words came out slowly, others came out in jags and torrents. The language of more than several was pure poetry. Stephen and Peter came to realize that the project had a purpose. They had become confessors to an undiscovered America.

Peter and Stephen put together 100 of these portraits and oral histories in a book titled "The Oxford Project", which is available here.

Labels:

Monday, October 13, 2008

Mitchell Feinberg



Mitchell Feinberg describes himself as a "luxury still life" photographer. His artistic and conceptual approach to fashion photography makes him stand out in the crowd. I love this series of photographs he did for Muse Magazine - the relief of the product sands in for its actual presence.

Via Omami.

Labels:

The Island of Dr. Hibbert



In The Island of Dr. Hibbert in Treehouse of Horror XIII, the visitors to Dr. Hibbert's island are being turned into 'manimals'. In this sculpture/toy from McFarlane Toys, my favorite is Homer as the walrus, and maybe Marge the mountain lion second.

Labels:

Friday, October 10, 2008

Wonsuk Cho



MoCo Loco posted about Wonsuk Cho's gorgeous